![]() When she was quite small, she would sit on the floor and draw hieroglyphic–type designs on it with fragments of scrap chalk her father gave her. Kauffman began drawing almost as soon as she could hold a piece of chalk. Shortly after Kauffman's birth, the family moved to Morbegno, Lombardy, Italy. While there, he met and married Kauffman's mother, Cleopha Luz. ![]() Around 1740, after his first wife died, he headed to Coire, just south of Lichtenstein, to paint a church. Her father, Johann Josef Kauffman, was a modestly successful painter who specialized in decorative church murals. Kauffman, christened Maria Anna Angelica Catherina Kauffman, was born October 30, 1741, in Coire, Switzerland. Expressed Artistic Abilities as Youngster No matter what critics say of her artwork, one thing remains certain-in an age where female artists were largely dismissed, Kauffman easily captured the public's eye. Nearly 200 years after Kauffman's death, art historians continued to debate her place in history. Her pictures, however, failed to retain their popularity after her death with critics most often attacking her draftsmanship and technique. Kauffman enjoyed stunning popularity during her lifetime and was the most sought after portraitist of her day, receiving a steady stream of commissions throughout her life. Her portraits-distinguished by their dignified poses, bright and fresh color schemes, and fluid grace-became all the rage in late eighteenth century London. A child prodigy, Swiss–born artist Angelica Kauffman (1741–1807) was painting commissioned portraits of Europe's nobility by the time she was a teenager.
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